RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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RAFFAELLO Sanzio Lady with a Unicorn dfg oil painting


Lady with a Unicorn dfg
c. 1505 Oil on wood, 65 x 51 cm Galleria Borghese, Rome
Painting ID::  8729 		RAFFAELLO Sanzio
Lady with a Unicorn dfg
c. 1505 Oil on wood, 65 x 51 cm Galleria Borghese, Rome
   
   
     
RAFFAELLO Sanzio The Blessing Christ oil painting


The Blessing Christ
c. 1506 Oil on wood, 30 x 25 cm Pinacoteca Tosio Martinengo, Brescia
Painting ID::  8730 		RAFFAELLO Sanzio
The Blessing Christ
c. 1506 Oil on wood, 30 x 25 cm Pinacoteca Tosio Martinengo, Brescia
   
   
     
RAFFAELLO Sanzio Self-Portrait er78 oil painting


Self-Portrait er78
1506 Oil on wood, 45 x 33 cm Galleria degli Uffizi, Florence
Painting ID::  8731 		RAFFAELLO Sanzio
Self-Portrait er78
1506 Oil on wood, 45 x 33 cm Galleria degli Uffizi, Florence
   
   
     
RAFFAELLO Sanzio Portrait of Agnolo Doni oil painting


Portrait of Agnolo Doni
1506 Oil on wood, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence
Painting ID::  8732 		RAFFAELLO Sanzio
Portrait of Agnolo Doni
1506 Oil on wood, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     
RAFFAELLO Sanzio Portrait of Maddalena Doni ft oil painting


Portrait of Maddalena Doni ft
1506 Oil on panel, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence
Painting ID::  8734 		RAFFAELLO Sanzio
Portrait of Maddalena Doni ft
1506 Oil on panel, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     
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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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